Carl Trueman’s New Book

What do this rather different trio of Rieff, Taylor and Macintyre have in common? I think it is fair to say that Trueman treats them as sources of the reimagining of the human self. The three thinkers do not concur, and certainly have not collaborated, But their approaches overlap, each providing materials which can provide elements of the modern view of the self. In this situation argument regarding matters of sex is futile. No doubt Trueman could have given his readers other examples. What interests his interest is the LGTBQ+ community, and their birth and variety, from it.

I have been reading Carl Trueman’s The Rise and Triumph of the Modern Self – Cultural Amnesia, Expressive Individualism and the Road to Sexual Revolution. (Crossway. )I could hardly put it down. It is a weighty, clear, and thorough treatment of its theme, the modern understanding of one’s self. Throughout the book, the author seems to be in control of his material, and has a clear, commanding style. He is a historian by profession, and a Conservative Protestant. A treatment of this kind of analysis on contemporary culture makes the book pretty unique.

This book can be thought as a study of a history of ideas, or of human culture, and in the influence of its elements on our contemporary world , the world of human values and priorities of its culture. In theological terms, then, the book is an exercise of anthropology, the doctrine of human beings, involving an estimate of some of its current expressions. Some of these data are psychological, others from poetry, and in the arguments political philosophy. If you stick to the text, my guess is that you will learn a lot. Trueman’s style is clear, and his contents are highly organised. He is highly proficient in the mores of our non-Christian neighbours, to adolescent children, and agenda of the media. There is a welter of material, but to his diligence and clarity, his readers will usually know where they are in any place they come to.

The sources

The key to what follows in the book is the thought of Philip Rieff (1922-2006 ), an American sociologist, whose view of the modern Western culture is that its dominant feature is what he calls the ‘plastic’ view of the self, joined Charles Taylor, the Canadian philosopher, (1931 – ) whose books Sources of the Self, and The Making of the Modern Identity, strongly concur in the character of our culture, though not knowingly, They have arrived at different times and places of a similar outlook.

The third influence is Alasdair Macintyre, (1929 – ) the philosopher, who is the author of a number of books, of which After Virtue (1985). Their interest to Trueman lies in versions of psychological views of human nature…… . Each of Taylor and Macintyre are Roman Catholics. Macintyre has argued for many years the view that ethics in the modern world is emotive, (nothing but expressions of emotion), as a result of which moral argument and modern ethical objectivity, and the ideas of virtue and vice, have become impossible.What once views and intuitions were settled as matters of fact, and of the law, they now are matters of choice. People are free to pursue their own projects. Other influences are Romantic English poets such as Percy Bysshe Shelley, and William Blake, Neo-Marxism and the influence of Nietzsche and Karl Marx, and Darwin.

The Introduction

It is my plan here to introduce the book through its first two chapters ‘Reimagining the Self’, and ‘Reimagining our Culture’ set the basis of the book, its given. And chapter 2 will give the interested reader a slice of Trueman’s scope, and a brief taste of the chapters that follow, ‘Reimagining the Self’, and ‘Reimagining Our Culture.” ‘Reimagining’ is Taylor’s word for the newly discovered of the human self, He sees such ‘reimagination’ currently having its public culmination in the ‘sexual revolution’,’the radical and on-going transformation of sexual attitudes and behaviours that has occurred in the West since the 1960’s’( 21) The self has to do with the level of self – consciousness which emphasises a level of inwardness as the criterion of who a person is, his loves and hates. So inwardness is shaped by its territory, by fixed do’s and don’t’s basic to themselves. It is only in a situation in which the do’s and don’ts have weakened from the self’s traditional sense at vanishing point that the modern sexual revolution could occur. That revolution is not only of the sexual changes of this idea of the self, but it is at least this. Another criterion of the character of the self is what makes a person happy. So it is a paradox that two views which are different but cannot be argued for their truth or falsity may contribute centrally to the view of the self that is regarded as true, indeed, as part of a person’s view of him or herself. Gay marriage and transgenderism, for example, are now legitimate, deep and intuitively true, obvious to very many in our culture as a result of these cultural changes, as divorce in marriage became general in an earlier era.

The Central Argument

The central argument of the book in Part 2, chapters 3, 4 and 5, takes the reader into the eighteenth century, to Rousseau and into English poets such as…William Blake and Percy Miss Shelley, who as part of their Romantic outlook had an antipathy of the straitjacket necessarily imposed by Christian Holy Matrimony. Trueman shows this by reviewing developments associated in Romanticism in poets including William Blake and Percy Bysse Shelley who inveighed against society’s ‘Christian sexual codes and particularly with the normative status of lifelong, monogamous marriage’. (27) To this mix is to added Macintyre’s advocacy of emotive ethics, which makes rational argument about a moral issue difficult if not impossible.